House of Anansi Press
Short stories are often the first thing new writers publish. They go in and out of popularity, and finding a home for that first story can be difficult. Since it’s makeover in the 1970's, Granta has played a significant role in providing a market for new writers and artists, publishing short stories, photojournalism, poetry, biographies, indeed anything that is able to loosely fit within its pages. It is indeed “The Magazine of New Writing”.
Going Back is a ‘themed’ issue based somewhat loosely on “what happens after we go back”. It diverges from Granta’s norm in that the writers and artists are well established. Editor John Freeman has put together a splendid collection of stories, poetry, art and photography about loss, memories, joy and finding the ability to let go.
Janine di Giovanni’s The Book of the Dead brings into sharp focus the human spirit’s ability of to survive under seemingly impossible conditions of deprivation and loss during the war in Sarajevo. Ian Teh’s stark photography of industrial China (Traces: China 1999 - 2010) speaks volumes and Missing Out by Leila Aboulela tells the story of the collision of cultural values within a marriage. Elizabeth McCracken’s Property shows the heart of a young widower as he struggles with his loss.
There is a previously unpublished excerpt from Mark Twain’s diaries, and a series of letters written over 30 years by Iris Murdoch to French writer Raymond Queneau. (It is believed that she destroyed his letters to her.) It is tricky to find a favourite amidst such talent.
Since its inception in Cambridge, UK, in 1889, Granta has published the works of writers such as A. A. Milne, Doris Lessing, Ian McEwan, Gabriel Garcia Marquez, Arundhati Roy and Sylvia Plath. It was rescued from oblivion in the 1970s, and the rest, as they say, is history.
